Inspired by a Start the Week podcast from December 2013, I made myself a note before Christmas to spend some time thinking about the lively discussion, which was loosely centered on the idea of an “old-fashioned” community based on geography, and whether this can really be re-created in the current modern world, with its variety of different connections and reasons for connections. As a counter-point, the idea was raised to what extent a community arises from the existence of a common purpose as opposed to simply a physical geography. This is probably especially interesting if the common purpose exists in the face of adversity, and raises a multitude of additional tangential questions:
- How does one define a community?
- Who defines a community? Those within it or those from without?
- Do communities form in physical locales, or do individuals/groups move to a specific locale with the creation of a community in mind?
My particular interest, as might be expected, relates to the psychogeography aspect of this discussion. Psychogeography is also tied to community, but in two different ways. On the one hand, it is tied to community as most of the memories linked to its geography happen in the community, in a shared area that is familiar. On the other hand, however, one of the key points of psychogeography as it has been studied, described, and formulated was to move into the unfamiliar, explore the areas outside the community, or perhaps to better describe it: outside the known community. This generates in my mind an image not just of overlapping communities, but stacks of communities, where sub-groups exist within larger entities, and individuals are defined (and define themselves) as belonging to different circles based on their personality, belief, or other subjective or objective criteria.
An idea for a story that came to mind (related to the additional discourse on the disappearance of the traditional high street) was of a person walking down such a high street, with the narrative focussed on the sensory experience: sights, smells, the overall experience of what made the high street a special place and often a/the central location of a community.
Just in time to save me the effort, a recent Thinking Allowed podcast about the multicultural smells of an East End market in London brought this back again. This kind of sensory description can be used to link different cultures with different locations, different times, and the many layers and waves of immigration and assimilation into big urban centers such as London. And at the core are people such as “Ali the assimilationist hero” who by understanding his customers (from many different backgrounds) is able to stitch together a pathwork of sensory and cultural triggers that not only satisfy each customer individually but make up the rich tapestry of which each individual is a part.